Joni Sternbach: LATEST WORKS

Joni Sternbach takes tintype photographs, a labor-intensive technique with little changed since its invention in the 1850s. Spontaneous and unpredictable, the streaks and tonal variations in the finished photographs reflect their handmade character, with the corners rubbed where they were held in the camera.

Posing on rocky outcrops, in front of uprooted trees, or on thick mats of woody flotsam, Sternbach’s surfers inhabit strange landscapes. The best of Sternbach’s photographs convey insistent longing. They explore relationships—between surfer and board, human and landscape, photographer and subject, and between the surfers themselves. Sternbach has discovered a new home—a place without walls, defined only by belonging and the physicality of existence.

Joni Sternbach is an American artist, photographer, and filmmaker. Over the course of a career spanning many decades, her portrait-based work explores themes such as domesticity and the family, sexuality and the body. Issues of gender, identity, and feminism were the most critical themes in her early work from the 1980s-1990s, where the female figure—including her own—was a central motif.

Sternbach received her BFA in Photography from the School of Visual Arts and an MA from New York University and International Center of Photography, where she taught for over a decade. She is an advisory board member and founding faculty at Penumbra Foundation in NYC, where she currently teaches.

Sternbach’s work is held in many international and public collections including LACMA, The High Museum, National Portrait Gallery in London, Joslyn Museum, MOCA Jacksonville, Nelson Atkins Museum, and the Museum of Fine Arts, Houston. She is the recipient of several grants, including NYFA, CAPS, and the Santo Foundation.

She is represented in Los Angeles by Von Lintel Gallery, in London by Black Box Projects, in Cornwall by Circle Contemporary, in Paris by Galerie Hug, and in East Hampton, New York by Arc Fine Art.