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Overview
Born in Birmingham in 1948, David Hill spent the majority of his working life in industry, eventually specialising in hydraulic mechanical engineering. Designing large-scale power units for shipping, civil infrastructure, and industrial equipment, he brought a designer’s eye to engineering — always believing that strength and functionality should also be visually compelling.
Upon retiring in 1998, Hill embraced the freedom to explore creative technologies, refining his skills in computer-aided design (CAD) and venturing into the world of 3D imaging. Two decades spent in the Cognac region of France saw him experiment further, including the development of an award-winning grip system for the film industry — once again guided by his dedication to aesthetic precision.
Following his return to the UK in 2020, Hill settled in the coastal town of Mevagissey, Cornwall, where he began a new phase of making: crafting sculptural forms in stainless steel. Influenced by the Golden Ratio, the Fibonacci sequence, and the geometric principles of Pythagoras and Euclid, his work bridges mathematics, industrial design, and visual art. He refers to this practice as Structural Art — not traditional sculpture, but engineered forms that honour symmetry, balance, and the beauty of proportion.
Each piece is titled with a classical reference — Nike, Horus, Icarus — drawing viewers into a conversation between light, material, and form. When viewed under shifting light, Hill’s sculptures reveal naturally occurring patterns and sequences, offering a sense of quiet discovery.
David Hill’s work is precise yet poetic, shaped by a lifetime of technical skill and a late-found devotion to form. Now represented by CIRCLE Contemporary, his sculptures offer a distinct voice — refined, intelligent, and timeless.
