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Amy WrightAt The Bottom of the garden, 2024Acrylic, charcoal, dry pastel and conte stick on canvas
140 x 195 cm
Framed: Hand-built, solid ash wood framing with archival materials.
The frame can be stained for a darker finish. -
Amy WrightSilverbells and cockle shells, 2024Acrylic, charcoal, dry pastel and conte stick on canvas
125 x 98 cm
Framed: Hand-built, solid ash wood framing with archival materials.
The frame can be stained for a darker finish. -
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Amy WrightIn a Summer mist, 2024Acrylic, charcoal, dry pastel and conte stick on canvas
125 x 125 cm
Framed: Hand-built, solid ash wood framing with archival materials.
The frame can be stained for a darker finish. -
Amy WrightHeat, A Day for Barefoot and Rose, 2024Acrylic, charcoal, dry pastel and conte stick on canvas
125 x 98 cm
Framed: Hand-built, solid ash wood framing with archival materials.
The frame can be stained for a darker finish. -
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John O'CarrollEdge #2, 2025Gesso, natural pigment, gold leaf on panel with raw steel frame122 x 155 x 4 cm
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Peter HayesRaku Totem, 2024Raku fired ceramic, resin, copper and iron-oxide165 x 20 x 20 cm
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Ash HolmesRunning Creek, 2024Oil and Acrylic on Canvas120 x 120 cm
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Ash HolmesThe Burnt Orange Sea, 2024Oil and Acrylic on Canvas180 x 230 cm
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Wil JansenSpring 06, 2025Oil on canvas
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Wil JansenSpring 05, 2025Oil on canvas
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Adam HallsGunnera Passage (Trebah Garden), 2024Hand and machine stitch, hand-dyed fabrics with slim Ash frame
188 x 150 cm -
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Adam HallsThe Courtyard Garden, 2024Hand and machine stitch, hand-dyed fabrics with slim Ash frame
198 x 143 cm -
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Jynsym OngCandelabra Pot, 2024Gold shino wood fired lidded vessel with lion dog finial. Five candle spouts or tulipiere
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Joni Sternbach#6 The Future, Santa Barbara, CA, 2015Archival pigment print (from original tintype)Edition of 850.8 x 61 cm
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