Artworks

  • Adam Weismann, RAMMED EARTH, TRIPTYCH, 2026
    Adam Weismann
    RAMMED EARTH, TRIPTYCH, 2026
    Clay, pigment and amethyst crystal
    123 x 63 x 9.5cm (each panel)
  • Adam Weismann, RAMMED EARTH, 2026
    Adam Weismann
    RAMMED EARTH, 2026
    Clay and pigment
    123 x 63 x 9.5cm
  • Adam Weismann, RAMMED EARTH, TRIPTYCH, 2026
    Adam Weismann
    RAMMED EARTH, TRIPTYCH, 2026
    Clay and pigment
    123 x 63 x 9.5cm (each panel)
  • Adam Weismann, PASSING OF TIME, TRIPTYCH, 2026
    Adam Weismann
    PASSING OF TIME, TRIPTYCH, 2026
    Clay and pigment
    123 x 63 x 20cm
  • Adam Weismann, INTERCONNECTED, TRIPTYCH, 2026
    Adam Weismann
    INTERCONNECTED, TRIPTYCH, 2026
    Clay and pigment
    123 x 63 x 15cm
  • Amy Wright, UNDER A FADING SUMMER LIGHT, 2026
    Amy Wright
    UNDER A FADING SUMMER LIGHT, 2026
    Acrylic, charcoal, pastel, conté on linen
    Handcrafted slim-profile oak tray frame, finished in natural wax
    (Unframed available)
    190 x 175 cm
    Signed and dated on reverse
  • Amy Wright, THE GARDEN WILD WITH COLOUR BEFORE THE AUTUMN CUT BACK, 2026
    Amy Wright
    THE GARDEN WILD WITH COLOUR BEFORE THE AUTUMN CUT BACK, 2026
    Acrylic, charcoal, pastel, conté on linen
    Handcrafted slim-profile oak tray frame, finished in natural wax
    (Unframed available)
    190 x 175 cm
    Signed and dated on reverse
  • Andrea Zvadova, PALMARIA PALMATA XI (DIPTYCH)
    Andrea Zvadova
    PALMARIA PALMATA XI (DIPTYCH)
    Handprinted cyanotype on watercolour paper
    0.2 x 41.3 x 29.7 cm
  • Andrea Zvadova, PALMARIA PALMATA II
    Andrea Zvadova
    PALMARIA PALMATA II
    Handprinted cyanotype on watercolour paper
    41.3 x 29.7 cm
  • Andrea Zvadova, PALMARIA PALMATA IV
    Andrea Zvadova
    PALMARIA PALMATA IV
    Handprinted cyanotype on watercolour paper
    41.3 x 29.7 cm
  • Andrea Zvadova, PALMARIA PALMATA VII
    Andrea Zvadova
    PALMARIA PALMATA VII
    Handprinted cyanotype on watercolour paper
    41.3 x 29.7 cm
  • Andrea Zvadova, PALMARIA PALMATA V
    Andrea Zvadova
    PALMARIA PALMATA V
    Handprinted cyanotype on watercolour paper
    41.3 x 29.7 cm
  • Andrea Zvadova, PALMARIA PALMATA IX
    Andrea Zvadova
    PALMARIA PALMATA IX
    Handprinted cyanotype on watercolour paper
    41.3 x 29.7 cm
  • Andrea Zvadova, PALMARIA PALMATA X
    Andrea Zvadova
    PALMARIA PALMATA X
    Handprinted cyanotype on watercolour paper
    41.3 x 29.7 cm
  • Andrea Zvadova, PALMARIA PALMATA XII
    Andrea Zvadova
    PALMARIA PALMATA XII
    Handprinted cyanotype on watercolour paper
    41.3 x 29.7 cm
  • Andrea Zvadova, PALMARIA PALMATA X
    Andrea Zvadova
    PALMARIA PALMATA X
    Handprinted cyanotype on watercolour paper
    41.3 x 29.7 cm
  • Andrea Zvadova, PALMARIA PALMATA XIII
    Andrea Zvadova
    PALMARIA PALMATA XIII
    Handprinted cyanotype on watercolour paper
    41.3 x 29.7 cm
  • Simon Gaiger, ASH FOLD , 2022
    Simon Gaiger
    ASH FOLD , 2022
    Charred Ash, Metal Pin
  • John O'Carroll, Path Of Water #8, 2026
    John O'Carroll
    Path Of Water #8, 2026
    Gesso, natural pigment, copper leaf on panel with raw steel frame
    153 x 63 x 4 cm
    Signed and dated on reverse
  • Dennis Schikora, FLUIDS AND FLESH
    Dennis Schikora
    FLUIDS AND FLESH
    Oil, oil stick, dust, pastels, ink on on raw fabric
    Handcrafted slim-profile oak tray frame, finished in natural wax
    210 x 155cm
  • Amy Wright, Summer garden with a native mask, 2025
    Amy Wright
    Summer garden with a native mask, 2025
    Acrylic, charcoal, pastel, conté on linen
    190 x 165 cm
    Signed and dated on reverse
  • Simon Gaiger, Cof Tiirwedd, 2025
    Simon Gaiger
    Cof Tiirwedd, 2025
    Burr oak table with metal pin
    49 x 90 x 83 cm
  • John O'Carroll, Path Of Water #7, 2025
    John O'Carroll
    Path Of Water #7, 2025
    Gesso, natural pigment, copper leaf on panel with raw steel frame
    196 x 66 x 4 cm
    Signed and dated
  • Dennis Schikora, UNTITLED
    Dennis Schikora
    UNTITLED
    Oil, oil stick, pastels, dust on raw fabric
    Handcrafted slim-profile oak tray frame, finished in natural wax
    155 x 130cm
  • Amy Wright, A garden rapsody, 2025
    Amy Wright
    A garden rapsody, 2025
    Acrylic, charcoal, pastel, conté on linen
    Handcrafted slim-profile oak tray frame, finished in natural wax
    190 x 165 cm
    Signed and dated on reverse
  • Simon Gaiger, Angular Uncomformity, 2022
    Simon Gaiger
    Angular Uncomformity, 2022
    Charred cedar with steel legs
    34 x 190 x 69 cm
  • John O'Carroll, Edge #4, 2025
    John O'Carroll
    Edge #4, 2025
    Gesso, natural pigment, copper and gold leaf on panel with raw steel frame
    155 x 106 cm
    Signed and dated
  • Dennis Schikora, UNTITLED
    Dennis Schikora
    UNTITLED
    Oil, pastels, shoe polish on raw fabric
    Handcrafted slim-profile oak tray frame, finished in natural wax
    180x 150cm
  • Amy Wright, A World Beyond, 2026
    Amy Wright
    A World Beyond, 2026
    Acrylic, charcoal, dry pastel on canvas
    Handcrafted slim-profile oak tray frame, finished in natural wax
    (Unframed available)
    195 x 150 cm
    Signed and dated on reverse
  • Simon Gaiger, Sisyphus, 2021
    Simon Gaiger
    Sisyphus, 2021
    Welded and painted steel interchangeable elements, rolling brick
    100 x 66 x 50 cm
  • John O'Carroll, Rock + Sea V, 2025
    John O'Carroll
    Rock + Sea V, 2025
    Gesso, natural pigment, copper leaf on panel with raw steel frame
    86 x 122 x 3.5 cm
    Signed and dated
  • Dennis Schikora, SYMPHONY OF THE FOREST/THE WEIGHT OF SILENCE
    Dennis Schikora
    SYMPHONY OF THE FOREST/THE WEIGHT OF SILENCE
    Oil, oil stick, pastels, dust, soil on naturally stained fabric
    Handcrafted slim-profile oak tray frame, finished in natural wax
    170 x 120 cm
  • Amy Wright, Beachside clematis, 2025
    Amy Wright
    Beachside clematis, 2025
    Acrylic, charcoal, pastel, conté on linen
    Handcrafted slim-profile oak tray frame, finished in natural wax
    190 x 140 cm
    Signed and dated on reverse
  • Simon Gaiger, SEER, 2025
    Simon Gaiger
    SEER, 2025
    Hanging sculpture, powder-coated steel
    Suitable for outside and inside, fixed with swivel-fixing
  • John O'Carroll, Red Cliff II, 2026
    John O'Carroll
    Red Cliff II, 2026
    Gesso, brass, vermillion and indigo pigment
    110 x 110 cm (each panel)
    Frame: raw metal
    Signed and dated
  • Dennis Schikora, DO YOU THINK ABOUT ME NOW AND THEN
    Dennis Schikora
    DO YOU THINK ABOUT ME NOW AND THEN
    Oil, oil stick, pastels on stained fabric
    Handcrafted slim-profile oak tray frame, finished in natural wax
    100 x 80cm
  • Amy Wright, Majestics and wattle nuance, 2025
    Amy Wright
    Majestics and wattle nuance, 2025
    Acrylic, charcoal, pastel, conté on linen
    Handcrafted slim-profile oak tray frame, finished in natural wax
    190 x 140 cm
    Signed and dated on reverse
  • Simon Gaiger, Môr, 2025
    Simon Gaiger
    Môr, 2025
    Fumed oak and forged steel
    107 x 63 x 72 cm (seat height 43 cm)
  • John O'Carroll, RED CLIFF III, 2026
    John O'Carroll
    RED CLIFF III, 2026
    Gesso, brass, vermillion and indigo pigment
    153 x 120 cm
    Frame: raw metal
    Signed and dated
  • Amy Wright, Summerhaze , 2025
    Amy Wright
    Summerhaze , 2025
    Acrylic, charcoal, pastel, conté on linen
    Handcrafted slim-profile oak tray frame, finished in natural wax
    195 x 140 cm
    Signed and dated on reverse
  • Simon Gaiger, Cadeir Idris, 2020
    Simon Gaiger
    Cadeir Idris, 2020
    Cedar seat with lime-wash finish.
    190 x 130 x 120 cm
    Embossed with the artist stamp
  • John O'Carroll, RED CLIFF IV, 2026
    John O'Carroll
    RED CLIFF IV, 2026
    Gesso, brass, vermillion and indigo pigment
    90 x 200 cm
    Frame: raw metal
    Signed and dated
  • Amy Wright, The last of autumn and everlastings, 2025
    Amy Wright
    The last of autumn and everlastings, 2025
    Acrylic, charcoal, pastel, conté on linen
    Handcrafted slim-profile oak tray frame, finished in natural wax
    195 x 140 cm
    Signed and dated on reverse
  • Simon Gaiger, Cedar Chair, 2019
    Simon Gaiger
    Cedar Chair, 2019
    Cedar seat with lime-wash finish.
    77 x 57 x 59 cm
    Embossed with the artist stamp
  • John O'Carroll, RED CLIFF V, 2026
    John O'Carroll
    RED CLIFF V, 2026
    Gesso, brass, vermillion and indigo pigment
    65 x 188 cm
    Frame: raw metal
    Signed and dated
  • Amy Wright, Grevillea gone rogue in a fresh rain soaked garden, 2025
    Amy Wright
    Grevillea gone rogue in a fresh rain soaked garden, 2025
    Acrylic, charcoal, pastel, conté on linen
    Handcrafted slim-profile oak tray frame, finished in natural wax
    125 x 125 cm
    Signed and dated on reverse
  • Simon Gaiger, Scooch, 2023
    Simon Gaiger
    Scooch, 2023
    Charred oak with steel legs
    220 x 45 x 78 cm
  • John O'Carroll, White Rock IV, 2026
    John O'Carroll
    White Rock IV, 2026
    Brass, gesso, indigo pigment on panel
    Raw steel frame
    110 cm x 110 cm
    Each panel
    Frame: raw metal
    Signed and dated
  • Amy Wright, Banksia in a weave of weeds, 2025
    Amy Wright
    Banksia in a weave of weeds, 2025
    Acrylic, charcoal, pastel, conté on linen
    Handcrafted slim-profile oak tray frame, finished in natural wax
    125 x 125 cm
    Signed and dated on reverse
  • Simon Gaiger, Jhelum, 2021
    Simon Gaiger
    Jhelum, 2021
    Charred Oak with metal
    180 x 34 x 52 cm
  • John O'Carroll, White Rock III, 2026
    John O'Carroll
    White Rock III, 2026
    Brass, indigo pigment on panel
    Raw steel frame
    175 x 61 cm
    Frame: raw metal
    Signed and dated
  • Amy Wright, Wilds creeping across the summer garden, 2025
    Amy Wright
    Wilds creeping across the summer garden, 2025
    Acrylic, charcoal, pastel, conté on linen
    Handcrafted slim-profile oak tray frame, finished in natural wax
    125 x 125 cm
    Signed and dated on reverse
  • Simon Gaiger, Dugong Seat, 2021
    Simon Gaiger
    Dugong Seat, 2021
    Charred Oak with metal
    160 x 34 x 52 cm
  • John O'Carroll, Bess Rock #1, 2025
    John O'Carroll
    Bess Rock #1, 2025
    Gesso, natural pigment, silver leaf on panel with raw steel frame
    182 x 155 x 4 cm
    Signed and dated
  • Amy Wright, Dancing daisies on a cliffs edge, 2025
    Amy Wright
    Dancing daisies on a cliffs edge, 2025
    Acrylic, charcoal, pastel, conté on linen
    Handcrafted slim-profile oak tray frame, finished in natural wax
    98 x 125 cm
    Signed and dated on reverse
  • Simon Gaiger, Redwood Seat, 2019
    Simon Gaiger
    Redwood Seat, 2019
    Charred Redwood
    130 X 60 X 47 cm
    Embossed with the artist stamp
  • Amy Wright, Lingering seed heads in an overcrowded rockery, 2025
    Amy Wright
    Lingering seed heads in an overcrowded rockery, 2025
    Acrylic, charcoal, pastel, conté on linen
    Handcrafted slim-profile oak tray frame, finished in natural wax
    98 x 125 cm
    Signed and dated on reverse
  • John O'Carroll, Rock + Sea II, 2025
    John O'Carroll
    Rock + Sea II, 2025
    Gesso, natural pigment, silver and copper leaf on panel with raw steel frame
    125 x 97 x 3.5 cm
    Signed and dated
  • Amy Wright, Looking through Bracken, 2025
    Amy Wright
    Looking through Bracken, 2025
    Acrylic, charcoal, pastel, conté on linen
    Handcrafted slim-profile oak tray frame, finished in natural wax
    98 x 125 cm
    Signed and dated on reverse
  • John O'Carroll, FALL OF WATER, 2025
    John O'Carroll
    FALL OF WATER, 2025
    Gesso, pigment, copper leaf on panel with bespoke steel frame
    60 x 50 cm
    Signed and dated on reverse
    Series: FALL OF WATER
  • Amy Wright, The Rockery In Bloom, 2024
    Amy Wright
    The Rockery In Bloom, 2024
    Acrylic, charcoal, dry pastel and conte stick on canvas
    140 x 195 cm

    Framed: Hand-built, solid ash wood framing with archival materials.
    The frame can be stained for a darker finish.
    Signed and dated on reverse
  • Simon Gaiger, Charred Bench, 2017
    Simon Gaiger
    Charred Bench, 2017
    Charred Oak
    140 x 45 x 32 cm
    Embossed with the artist stamp
  • John O'Carroll, BIG SKY, 2024
    John O'Carroll
    BIG SKY, 2024
    Gesso, natural pigment on wooden panel with bespoke steel frame
    200 x 90 cm
    Signed and dated on reverse
  • Amy Wright, Between coasts, 2024
    Amy Wright
    Between coasts, 2024
    Acrylic, charcoal, pastel and conté on canvas
    195cm x 160cm
    Signed and dated on reverse
  • Simon Gaiger, Cleft, 2019
    Simon Gaiger
    Cleft, 2019
    Sycamore Seat With Steel Legs
    83 x 217 x 73 cm
    Embossed with the artist stamp
  • Amy Wright, A garden gf giant wonders, 2024
    Amy Wright
    A garden gf giant wonders, 2024
    Acrylic, charcoal, pastel and conté on canvas
    195cm x 160cm
    Signed and dated on reverse
  • Simon Gaiger, Field Form, 2017
    Simon Gaiger
    Field Form, 2017
    Cedar and steel (with lime wash)
    190 x 75 x 59 cm
    Embossed with the artist stamp
  • Amy Wright, The dainties abstracted in a summerhaze, 2025
    Amy Wright
    The dainties abstracted in a summerhaze, 2025
    Acrylic, charcoal, pastel, conté on linen
    Handcrafted slim-profile oak tray frame, finished in natural wax
    98 x 125 cm
    Signed and dated on reverse
  • Simon Gaiger, Green Fuse, 2017
    Simon Gaiger
    Green Fuse, 2017
    Welded and painted steel
    38 x 47 x 16 cm
  • John O'Carroll, Confluence #1, 2025
    John O'Carroll
    Confluence #1, 2025
    Gesso, gold leaf and glaze on a hand-formed bent wood panel
    97 x 106 cm
  • Amy Wright, Springtime Escapism, 2024
    Amy Wright
    Springtime Escapism, 2024
    Acrylic, charcoal, dry pastel and conte stick on canvas
    165 x 190 cm

    Framed: Hand-built, solid ash wood framing with archival materials.
    The frame can be stained for a darker finish.
    Signed and dated on reverse
  • Simon Gaiger, Mistress Of The West, 2017
    Simon Gaiger
    Mistress Of The West, 2017
    Welded and painted steel interchangeable elements
    51 x 63 x 42 cm
  • John O'Carroll, Confluence V, 2026
    John O'Carroll
    Confluence V, 2026
    Gesso, copper leaf and glaze on a bent wood panel
    115 x 115 cm
  • Amy Wright, Blue Skies predicted, 2024
    Amy Wright
    Blue Skies predicted, 2024
    Acrylic, charcoal, dry pastel and conte stick on canvas
    125 x 125 cm

    Framed: Hand-built, solid ash wood framing with archival materials.
    The frame can be stained for a darker finish.
    Signed and dated on reverse
  • John O'Carroll, Confluence #2, 2025
    John O'Carroll
    Confluence #2, 2025
    Gesso, copper leaf and glaze on a hand-formed bent wood panel
    106 x 110 cm
  • Amy Wright, PASSION FLOWER (Herbertiana Native), 2024
    Amy Wright
    PASSION FLOWER (Herbertiana Native), 2024
    Acrylic, charcoal, dry pastel on canvas
    125 x 100 cm
    Signed and dated on reverse
  • Simon Gaiger, Wild Goose, 2017
    Simon Gaiger
    Wild Goose, 2017
    Cedar and steel (with lime wash)
    190 x 75 x 59 cm
    Embossed with the artist stamp
  • John O'Carroll, Confluence #3, 2025
    John O'Carroll
    Confluence #3, 2025
    Gesso, copper leaf and glaze on a hand-formed bent wood panel
    115 x 110 cm
  • Amy Wright, Silverbells and cockle shells, 2024
    Amy Wright
    Silverbells and cockle shells, 2024
    Acrylic, charcoal, dry pastel and conte stick on canvas
    125 x 98 cm

    Framed: Hand-built, solid ash wood framing with archival materials.
    The frame can be stained for a darker finish.
    Signed and dated on reverse
  • Simon Gaiger, Democracy, 2019
    Simon Gaiger
    Democracy, 2019
    Etching print
    Edition of 10
    28 x 28 cm
    Signed and numbered in pencil on the front
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