Original Prints 2023: Group Show
CIRCLE's fine print space currently displays original and distinctive limited edition works by artist printmakers living in Devon, Cornwall, London and Australia. Printmaking, like painting, has a long and prestigious history. Painters and makers continue to make prints using the traditional mediums of wood block, stone lithography and copper engraving, alongside screen-printing and the latest digital technologies .
Which is the oldest method of printing
Stencilling is the first printing technique. Palaeolithic hand stencils are found in European and South American caves dating back 7000BC. Hand stencils were formed by placing a hand against the wall and covering the surrounding area in pigment. Next came wood block printing - carving a design into a block of wood and inking the block to print on fabric was developed in China around 200AD. Before 1400 printing was on fabric as paper hadn't been invented. Printing was used commercially, for signs and religious imagery - as most people were illiterate.
Fine Art printing
The Renaissance painters of northern Europe and Italy begin to make artists prints on paper after 1450. Many artists came from families of carpenters, jewellers and engravers. The greatest painter/printmaker of the 15c (maybe all time) was Albrecht Durer who’s father was himself a goldsmith. The point is relevant as in the late medieval age there wasn’t a line drawn between art, craft and trade. Painters like Durer, and later Rembrandt ( who was the finest etcher of the 17c) would have been well acquainted with the tools used for carpentry, which was a lower class trade, or Jewellery making - a profession of the upper classes. It is these same tools which artists borrowed and used in wood block printing, engraving and copper plate etching.
Throughout the ages art is littered with examples of exemplary printmaking - Goya’s war etchings, Picasso’ linocuts of women and bulls, and Andy Warhol’s screen printed soup cans are immediately recognisable, just as 21c graffiti artist Banksy’s lithograph, Girl With Balloon and Kaws 2022 Gone and Share screen prints are branded into our psyche. Printmaking in all forms is more popular than at any time in history.
CIRCLE’s dedicated FINE PRINT SPACE is a platform for all types of contemporary printmakers.
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Adam BridglandI NEED THIS WILDERNESS FOR MY HEART TO BEAT, 2020Lithograph on Fedrigoni Arco 250gsm Paper60 x 42 cmEdition of 100
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Adam BridglandAnd Then Summer Comes, 20202 Colour Screenprint on Somerset Satin 300gsm Paper30 x 42Edition of 50
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Augustine & BridglandOnly Here For Summer, 2019Unique Mono Print On Somerset Satin 410gsm Paper147 x 100 cm
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Augustine & BridglandAcross The Flood Plains, 2019Unique Mono Print On Somerset Satin 410gsm Paper147 x 100 cm
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Augustine & Bridgland, Empty Vessels Make The Most Noise, 2019
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Augustine & BridglandMy Dear I Forgot To Say It Raining In London, 2019Unique Mono Print On Somerset Satin 410gsm Paper81 x 81 cm
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Merlyn ChestermanWave WatchingOriginal woodcut print, hand printed on Somerset Satin Paper35 x 26 cmEdition of 15
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Merlyn Chesterman, Dazzle, 2022
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Merlyn Chesterman, Swimming With Sadie, 2022
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Merlyn Chesterman, In Shadow, 2022
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Merlyn Chesterman, Evening Rock, 2022
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Merlyn Chesterman, Morning Rock, 2022
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Merlyn Chesterman, Evening Rock (Blue), 2022
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Merlyn ChestermanLow Tide, 2022Original woodcut print, hand printed on Somerset Satin Paper42 x 60 cmEdition of 25
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Merlyn ChestermanShimmer, 2022Original woodcut print, hand printed on Somerset Satin Paper41 x 65 cmEdition of 25
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Merlyn ChestermanCopse II, 2021Original woodcut print, hand printed on Somerset Satin Paper55 x 59 cmEdition of 25
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Merlyn ChestermanBananaOriginal woodcut print, hand printed on Somerset Satin Paper38 x 53 cmArtist Proof
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Merlyn ChestermanWolf Moon (Blue), 2022Original woodcut, hand printed on 60 gsm Okawara paper42 x 41 cmEdition of 10
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Merlyn ChestermanWolf Moon (Yellow) , 2022Original woodcut, hand printed on 60 gsm Okawara paper42 x 41 cmEdition of 10
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Merlyn ChestermanGlitter PathOriginal woodcut print, hand printed on Somerset Satin Paper35 x 26 cmEdition of 50
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Merlyn ChestermanSeacapeOriginal woodcut print, hand printed on Somerset Satin Paper35 x 39 cmArtist Proof
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Merlyn ChestermanOutgoing TideOriginal woodcut print, hand printed on Somerset Satin Paper35 x 26 cmEdition of 50
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Merlyn ChestermanTideOriginal woodcut print, hand printed on Somerset Satin Paper35 x 26 cmEdition of 50
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Merlyn ChestermanA Winter SeaOriginal woodcut print, hand printed on Somerset Satin Paper35 x 26 cmEdition of 50Sold
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Merlyn Chesterman, Silver Lining V2
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Merlyn ChestermanDamehole pointOriginal woodcut print, hand printed on Somerset Satin Paper35 x 26 cmEdition of 12
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Merlyn ChestermanA Burgandy SeaOriginal woodcut print, hand printed on Somerset Satin Paper35 x 26 cmEdition of 50
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Christopher Chandler, Fastnet Race Storm I - 14th August 1979, 2022
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Merlyn Chesterman, July
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Merlyn Chesterman, A High Sea
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Merlyn ChestermanQuite RoughOriginal woodcut print, hand printed on Somerset Satin Paper35 x 26 cmEdition of 50
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Merlyn ChestermanThe QuayOriginal woodcut print, hand printed on Somerset Satin Paper35 x 26 cmEdition of 50
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Merlyn ChestermanThe sea and the skyOriginal woodcut print, hand printed on Somerset Satin Paper35 x 26 cmEdition of 50
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Merlyn ChestermanLife Rock, 2020Original woodcut print, hand printed on Somerset Satin Paper53 x 49 cmEdition 50
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Merlyn ChestermanEquinox SunsetOriginal woodcut print, hand printed on Somerset Satin Paper100 x 52 cmEdition of 75
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Merlyn ChestermanPrevailing Wind V2, 2023Original woodcut print, hand printed on Somerset Satin Paper220 x 49 cm (unframed)Edition of 60
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Merlyn ChestermanStarling Ball, 2022Original woodcut print, hand printed on Somerset Satin Paper76 x 58 cmEdition of 25
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Merlyn ChestermanRough, 2020Original woodcut print, hand printed on Somerset Satin Paper53 x 49 cm
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Merlyn ChestermanStates At Sea, 2020Woodcut53 x 49 cm
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Merlyn ChestermanAfter The RainOriginal woodcut print, hand printed on Somerset Satin Paper35 x 26 cmEdition of 50
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Merlyn ChestermanSea Slight, 2020Original woodcut print, hand printed on Somerset Satin Paper53 x 49 cmEdition 50
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Merlyn ChestermanA Winter Sea, 2020Woodcut38 x 28 cm
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Merlyn ChestermanCopse, 2021Original woodcut print, hand printed on Somerset Satin Paper55 x 59 cmEdition of 25
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Ben CookThere Will Always Be Another Wave (A1) , 20221 Colour Screenprint on Somerset Satin 300gsm Paper84 x 60 cm (A1)Edition of 100
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Ben CookYou Should Have Been Here Yesterday (A1), 20221 Colour Screenprint on Somerset Satin 300gsm Paper84 x 60 cm (A1)Edition of 100
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Ben CookA Sense Of Normal Sea (A1), 20221 Colour Screenprint on Somerset Satin 300gsm Paper84 x 60 cm (A1)Edition of 100
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Emily CrookshankBetween The DoorsOriginal etchings on Somerset paper76 x 106 cmEdition of 6
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Emily CrookshankInside OutOriginal etchings on Somerset paper76 x 106 cmEdition of 6
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Morgan DoyleBlue Moon Rising, 2018Monoprint and collage72 x 51 cmSold
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Morgan DoyleOrange Beach, 2018Monoprint and collage72 x 51 cm
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Morgan DoyleBeach Centre, 2018Monoprint72 x 51 cmReserved
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Morgan DoyleBlue Beach, 2018Monoprint72 x 51 cm
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Morgan DoyleBeach Debris, 2018Monoprint72 x 51 cmSold
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Morgan DoyleThe Gap, 2018Monoprint and collage72 x 51 cm
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Pine FerodaIncoming Tide, 2019Woodcut86 x 120 cmEdition of 50
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Pine FerodaWave cut gully, 2018Woodcut86 x 120 cmEdition of 60
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Pine FerodaSpring Tide, 2016Woodcut86 x 120 cmEdition of 60
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Pine FerodaThicket, 2018Woodcut86 x 120 cmEdition of 60
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Pine FerodaCatching Light, 2020Woodcut86 x 120 cmEdition of 60
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Pine FerodaNorthern Light, 2018Woodcut86 x 120 cmEdition of 60
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Pine FerodaSea Rocks, 2014Woodcut86 x 120 cmEdition of 25
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Pine FerodaChoppy Sea, 2015Woodcut86 x 120 cmEdition of 25
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Pine FerodaOn Reflection, 2018Woodcut86 x 120 cmEdition of 60
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Pine FerodaJanuary Storm V2, 2015Woodcut86 x 120 cmEdition of 60Sold
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Pine FerodaShorebreak, 2017Woodcut86 x 120 cmEdition of 25
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Pine FerodaSeachange, 2019Woodcut86 x 120 cmEdition of 15
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Simon GaigerRhaeadr , 2019Etching print28 x 28 cmEdition of 10
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Simon GaigerPylon, 2019Etching print28 x 28 cmEdition of 10
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Simon GaigerDemocracy, 2019Etching print28 x 28 cmEdition of 10
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Iona HowardWashlandCarborundum and drypoint
(printed to the edge)39 x 79 cmEdition of 40 -
Iona HowardHundred Foot WashCarborundum, collagraph and drypoint
(printed to the edge)39 x 79 cmEdition of 40 -
Iona HowardWaterlandCarborundum, collagraph and drypoint
(printed to the edge)46 x 64 cmEdition of 35 -
Iona HowardThe Brisons State IICarborundum and drypoint
(printed to the edge)10 x 10 cmEdition of 25 -
Iona HowardThe Brisons State IICarborundum and drypoint
(printed to the edge)10 x 10 cmEdition of 25 -
Iona HowardBoscean State IICarborundum and drypoint
(printed to the edge)10 x 10 cmEdition of 25 -
Iona HowardBass Point State IICarborundum and drypoint
(printed to the edge)10 x 10 cmEdition of 25 -
Iona HowardWinter Field State IICarborundum and drypoint
(printed to the edge)12 x 12 cmEdition of 25 -
Iona HowardMow Fen State IICarborundum and drypoint
(printed to the edge)16 x 19 cmEdition of 20 -
Iona HowardAlong the Cut State IICarborundum and drypoint
(printed to the edge)12 x 12 cmEdition of 25 -
Ian PhillipsAlways In BloomWoodcut64 x 48 cm including white borderEdition of 16
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Ian PhillipsNorth Shore SwellWoodcut98 x 88 cm including white borderEdition of 12
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Ian PhillipsLighthouseWoodcut88 x 98 cm including white borderEdition of 16
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Rod NelsonHavnWoodcut print, hand printed on Somerset Satin Paper84 x 60cm unframed
110 x 85 cm framed (contact for details)Edition of 50 -
Rod NelsonBlue YonderWoodblock Print on Somerset Satin Paper121 x 90 cm unframedEdition of 50
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Rod NelsonStudy in SprayWoodblock Print on Okawara 60gsm Acid Free Japanese Paper47 x 25 cm unframed
Edition of 50 -
Rod NelsonStudy in SprayWoodblock Print on Okawara 60gsm Acid Free Japanese Paper47 x 25 cm unframed
Edition of 50 -
Rod NelsonHeadlandWoodcut, hand printed on 60gsm Okawara Paper39 x 88 cm unframed
Edition of 50 -
Rod NelsonNight FallsWoodcut, hand printed on 60 gsm Okawara paper60 x 45 cmEdition of 50
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Rod NelsonNight FallsWoodcut, hand printed on 60 gsm Okawara paper60 x 45 cmEdition of 50
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Rod NelsonNight FallsWoodcut, hand printed on 60 gsm Okawara paper60 x 45 cmEdition of 50
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Rod NelsonChasmWoodcut, hand printed Somerset Satin Paper20 x 85 cmEdition of 50
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Rod NelsonHigh Falls 2Woodcut, hand printed Somerset Satin Paper42 x 143 cmEdition of 50
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Rod NelsonCurtain Falls IIIWoodcut, hand printed on 60 gsm Okawara paper46 x 18 cmEdition of 50
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Rod NelsonShadow Falls IIWoodcut, hand printed Somerset Satin Paper86 x 122 cmEdition of 20
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Rod NelsonHigh Falls 3Woodcut print, hand printed on 60 gsm Okawara paper31 x 100 cmEdition of 50
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Rod NelsonDriven on by The WindWoodcut print, hand printed on Somerset Satin Paper84 x 60cm unframedEdition of 50
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Rod NelsonFar IsleWoodblock Print on Somerset Satin Paper121 x 90 cm unframedEdition of 50
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Rod NelsonWild HorsesInk, hand printed on 60gsm Okawara Paper80 x 76 cm unframed
96 x 92 cm framed (contact for details)Edition of 50 -
Rod NelsonIrascible sea - after KunisadaInk, hand printed on 300 gsm Somerset satin paper90 x 39 cm unframed
106 x 108 cm framed (contact for details)Edition of 50 -
Rod NelsonHorseshoe Falls IIInk, hand printed on 60 gsm Okawara paper80 x 76cm
Edition of 50 -
Rod NelsonRed SandInk, hand printed on Somerset Satin 300gsm aper127 x 55 cm framed
Unframed available - please contact usEdition of 50 -
Rod NelsonTide RaceInk, hand printed on 300 gsm Somerset satin paper88 x 39 cm unframed
104 x 55 cm framed (contact for details)Edition of 50 -
Rod NelsonWater over rockInk, hand printed on 60 gsm Okawara paper84 x 60cm unframed
100 x 76 cm framed (contact for details)Edition of 50 -
Rod NelsonFlow SurfaceWoodcut print, hand printed on 60 gsm Okawara paper84 x 60cm unframedEdition of 50
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Rod NelsonHorseshoe FallsInk, hand printed on 60 gsm Okawara paper72 x 85 cm unframed
88 x 101 cm framed (contact for details)Edition of 50 -
Rod NelsonRibbon FallsWoodblock Print on Okawara 60gsm Acid Free Japanese Paper
70 x 45 cm unframed
86 x 61 cm framed (contact for details)Edition of 50 -
Trevor PriceSmall Chop IIIDrypoint etching, relief print35.5 x 35.5 cmEdition of 100
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Trevor PriceSmall Chop IDrypoint etching, relief print35.5 x 35.5 cmEdition of 100
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Trevor PriceSmall Chop IIDrypoint etching, relief print35.5 x 35.5 cmEdition of 100
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Trevor PriceStorm Waves IDrypoint etching, relief print35.5 x 35.5 cmEdition of 100
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Trevor PriceStorm Waves IIDrypoint etching, relief print35.5 x 35.5 cmEdition of 100
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Trevor PriceStorm Waves IIIDrypoint etching, relief print35.5 x 35.5 cmEdition of 100
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Trevor PriceCeltic SeaDrypoint etching, relief print48 x 102 cmEdition of 100
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Trevor PriceBackwashDrypoint etching, relief print48 x 102 cmEdition of 100
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Trevor PriceChop WavesDrypoint etching, relief print48 x 102 cmEdition of 100
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Trevor PriceA Moment of reflection II, 2020Drypoint and engraved relief print47 x 102 cm
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Trevor PriceHEPWORTH'S GARDEN IDrypoint and engraved relief print58 x 111 cmEdition of 100
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Trevor PriceWoodland IIIDrypoint etching, relief print35.5 x 35.5 cmEdition of 100
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Trevor PriceHEPWORTH'S GARDEN IIDrypoint and engraved relief print58 x 111 cmEdition of 100
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Trevor PriceHEPWORTH'S GARDEN IIIDrypoint and engraved relief print58 x 111 cmEdition of 100
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Jelena SredanovićSomewhere, 2014Woodcut80 x 110 cmEdition of 20
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Jelena SredanovićEarth From Above, 2014Woodcut80 x 110 cmEdition of 20
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Jelena SredanovićEarth From Above, 2014Woodcut80 x 110 cmEdition of 20
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Jelena SredanovićSomewhere Over Mountains, 2015Woodcut80 x 110 cmEdition of 20
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Jelena SredanovićBetween Water & Clouds, 2015Woodcut80 x 110 cmEdition of 20
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Jelena SredanovićCloudscape, 2015Woodcut80 x 110 cmEdition of 20
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Jelena SredanovićTravelling Formation, 2015Woodcut80 x 110 cmEdition of 20
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Sarah Woods, Newlyn Morning , 2021
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Sarah Woods, From Rosewell Hill, 2021
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Sarah Woods, Sennen from the Cliffs, 2021
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Sarah Woods, Reflections at Low Tide, 2020
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Sarah Woods, An Evening at Gwenver , 2021
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Sarah Woods, Along the North Coast, St Agnes, 2021