Artworks

  • Adam Halls, Botanic Gardens, Dunedin , 2026
    Adam Halls
    Botanic Gardens, Dunedin , 2026
    Hand and machine stitch, hand-dyed fabrics with slim Ash frame
    137 x 207 cm
    Stitched on the front
    Sold
  • Adam Halls, NATURES GARDEN, LAKE TEKAPO, 2026
    Adam Halls
    NATURES GARDEN, LAKE TEKAPO, 2026
    Hand and machine stitch, hand-dyed fabrics with slim Ash frame
    146 x 207 cm
    Stitched on the front
    Sold
  • Adam Halls, On The Shore Of Lake Takepo, 2025
    Adam Halls
    On The Shore Of Lake Takepo, 2025
    Hand and machine stitch, hand-dyed fabrics with slim Ash frame
    137 x 200 cm
    Stitched on the front
  • Adam Halls, Citrus Petal, 2024
    Adam Halls
    Citrus Petal, 2024
    Hand and machine stitch, hand-dyed fabrics with slim Ash frame
    97 x 89 cm
    Stitched on the front
  • Adam Halls, DAHLIA GARDEN, 2022
    Adam Halls
    DAHLIA GARDEN, 2022
    Hand and machine stitch, hand-dyed fabrics with slim Ash frame
    165 x 140 cm
    Stitched on the front
  • Adam Halls, Roof Top Garden , 2025
    Adam Halls
    Roof Top Garden , 2025
    Hand and machine stitch, hand-dyed fabrics with slim Ash frame
    144 x 135 cm
    Stitched on the front
    Sold
  • Adam Halls, Black-Eyed Susan, 2025
    Adam Halls
    Black-Eyed Susan, 2025
    Hand and machine stitch, hand-dyed fabrics with slim Ash frame
    115 x 148 cm
    Stitched on the front
  • Adam Halls, The Courtyard Garden, 2024
    Adam Halls
    The Courtyard Garden, 2024
    Hand and machine stitch, hand-dyed fabrics with slim Ash frame
    198 x 143 cm
    Stitched on the front
    Sold
  • Adam Halls, Gunnera Passage (Trebah Garden), 2024
    Adam Halls
    Gunnera Passage (Trebah Garden), 2024
    Hand and machine stitch, hand-dyed fabrics with slim Ash frame
    188 x 150 cm
    Stitched on the front
    Sold
  • Adam Halls, Ro's Garden, 2024
    Adam Halls
    Ro's Garden, 2024
    Hand and machine stitch, hand-dyed fabrics with slim Ash frame
    137 x 222 cm
    Stitched on the front
    Sold
  • Adam Halls, Pond Reflection , 2024
    Adam Halls
    Pond Reflection , 2024
    Hand and machine stitch, hand-dyed fabrics with slim Ash frame
    240 x 70 cm
    Each piece 80 x 70 cm
    Sold
  • Adam Halls, Tregarus Woods, 2023
    Adam Halls
    Tregarus Woods, 2023
    Hand and machine stitch, hand-dyed fabrics with slim Ash frame
    202 x 150 cm
    Stitched on the front
    Sold
  • Adam Halls, Rose-tinted Glasses, 2024
    Adam Halls
    Rose-tinted Glasses, 2024
    Hand and machine stitch, hand-dyed fabrics with slim Ash frame
    142 x 200 cm
    Stitched on the front
    Sold
  • Adam Halls, White Hydrangea , 2024
    Adam Halls
    White Hydrangea , 2024
    Hand and machine stitch, hand-dyed fabrics with slim Ash frame
    142 x 202 cm
    Stitched on the front
    Sold
  • Adam Halls, The Beyondness of Things, 2020
    Adam Halls
    The Beyondness of Things, 2020
    Hand and machine stitch, hand-dyed fabrics with slim Ash frame
    130 x 160 cm
    Sold
  • Adam Halls, Evening Approaches, 2022
    Adam Halls
    Evening Approaches, 2022
    Needle felt painting made up of dyed scrim, chiffon, wool and silk with slim Ash frame
    148 x 168 cm
    Stitched on the front
    Sold
  • Adam Halls, Rhododendron, 2022
    Adam Halls
    Rhododendron, 2022
    Needle felt painting made up of dyed scrim, chiffon, wool and silk with slim Ash frame
    148 x 185 cm
    Stitched on the front
    Sold
  • Maria Floyd, Dancing in the breeze, 2025
    Maria Floyd
    Dancing in the breeze, 2025
    Oil on canvas
    28 x 22 cm
    Signed and dated on reverse
  • Maria Floyd, Fluctuation, 2025
    Maria Floyd
    Fluctuation, 2025
    Oil on board
    17 x 23 cm
    Signed and dated on reverse
  • Maria Floyd, Wind brushes along the grass, 2025
    Maria Floyd
    Wind brushes along the grass, 2025
    Oil on canvas
    28 x 22 cm
    Signed and dated on reverse
  • Maria Floyd, Surge, 2025
    Maria Floyd
    Surge, 2025
    Oil on board
    17 x 23 cm
    Signed and dated on reverse
    Sold
  • Maria Floyd, Tidal Flow, 2025
    Maria Floyd
    Tidal Flow, 2025
    Oil on board
    17 x 23 cm
    Signed and dated on reverse
  • Maria Floyd, Storm dance, 2025
    Maria Floyd
    Storm dance, 2025
    Oil on board
    17 x 23 cm
    Signed and dated on reverse
  • Pine Feroda, Catching Light, 2020
    Pine Feroda
    Catching Light, 2020
    Woodcut
    Edition of 60
    86 x 120 cm
    Signed, titled and numbered in pencil on the front (white border)
  • Pine Feroda, Incoming Tide, 2019
    Pine Feroda
    Incoming Tide, 2019
    Woodcut
    Edition of 50
    86 x 120 cm
    Signed, titled and numbered in pencil on the front (white border)
  • Pine Feroda, Seachange, 2019
    Pine Feroda
    Seachange, 2019
    Woodcut
    Edition of 15
    86 x 120 cm
    Signed, titled and numbered in pencil on the front (white border)
  • Pine Feroda, Lake, 2018
    Pine Feroda
    Lake, 2018
    Woodcut
    Edition of 60
    86 x 120 cm
    Signed, titled and numbered in pencil on the front (white border)
  • Pine Feroda, Northern Light, 2018
    Pine Feroda
    Northern Light, 2018
    Woodcut
    Edition of 60
    86 x 120 cm
    Signed, titled and numbered in pencil on the front (white border)
  • Pine Feroda, On Reflection, 2018
    Pine Feroda
    On Reflection, 2018
    Woodcut
    Edition of 60
    86 x 120 cm
    Signed, titled and numbered in pencil on the front (white border)
  • Pine Feroda, Thicket, 2018
    Pine Feroda
    Thicket, 2018
    Woodcut
    Edition of 60
    86 x 120 cm
    Signed, titled and numbered in pencil on the front (white border)
  • Pine Feroda, Wave cut gully, 2018
    Pine Feroda
    Wave cut gully, 2018
    Woodcut
    Edition of 60
    86 x 120 cm
    Signed, titled and numbered in pencil on the front (white border)
  • Pine Feroda, Shorebreak, 2017
    Pine Feroda
    Shorebreak, 2017
    Woodcut
    Edition of 25
    86 x 120 cm
    Signed, titled and numbered in pencil on the front (white border)
  • Pine Feroda, Spring Tide, 2016
    Pine Feroda
    Spring Tide, 2016
    Woodcut
    Edition of 60
    86 x 120 cm
    Signed, titled and numbered in pencil on the front (white border)
  • Pine Feroda, Choppy Sea, 2015
    Pine Feroda
    Choppy Sea, 2015
    Woodcut
    Edition of 25
    86 x 120 cm
    Signed, titled and numbered in pencil on the front (white border)
  • Pine Feroda, January Storm V2, 2015
    Pine Feroda
    January Storm V2, 2015
    Woodcut
    Edition of 60
    86 x 120 cm
    Signed, titled and numbered in pencil on the front (white border)
    Sold
  • Pine Feroda, Looking South V2, 2015
    Pine Feroda
    Looking South V2, 2015
    Woodcut
    Edition of 60
    86 x 120 cm
    Signed, titled and numbered in pencil on the front (white border)
    Sold
  • Pine Feroda, Weather, 2015
    Pine Feroda
    Weather, 2015
    Woodcut
    Edition of 25
    86 x 120 cm
    Signed, titled and numbered in pencil on the front (white border)
  • Pine Feroda, Sea Rocks, 2014
    Pine Feroda
    Sea Rocks, 2014
    Woodcut
    Edition of 25
    86 x 120 cm
    Signed, titled and numbered in pencil on the front (white border)
  • Ian Fenton, Datta, 2025
    Ian Fenton
    Datta, 2025
    Cut paper, gouache
    Framed: Stained Wood, slim tray frame (no glass)
    140 x 140 cm
  • Ian Fenton, Phlebas The Phoenician, 2025
    Ian Fenton
    Phlebas The Phoenician, 2025
    Cut paper, gouache
    Framed: Wood, slim tray frame (no glass)
    60 x 85 cm
    Sold
  • Ian Fenton, Composition in Ultramarine and Prussian Blue I, 2025
    Ian Fenton
    Composition in Ultramarine and Prussian Blue I, 2025
    Cut paper, gouache on 200gsm paper
    Framed: White panel, slim tray frame (no glass)
    210 x 150 cm
  • Ian Fenton, Composition in Ultramarine and Prussian Blue II, 2025
    Ian Fenton
    Composition in Ultramarine and Prussian Blue II, 2025
    Cut paper, gouache
    Framed: White panel, slim tray frame (no glass)
    120 x 120 cm
  • Morgan Doyle, Blue Beach, 2018
    Morgan Doyle
    Blue Beach, 2018
    Monoprint
    72 x 51 cm
    Signed and dated on reverse
  • Morgan Doyle, Blue Moon Rising, 2018
    Morgan Doyle
    Blue Moon Rising, 2018
    Monoprint and collage
    72 x 51 cm
    Signed and dated on reverse
  • Morgan Doyle, Orange Beach, 2018
    Morgan Doyle
    Orange Beach, 2018
    Monoprint and collage
    72 x 51 cm
    Signed and dated on reverse
  • Morgan Doyle, The Gap, 2018
    Morgan Doyle
    The Gap, 2018
    Monoprint and collage
    72 x 51 cm
    Signed and dated on reverse
  • Kerim Demirkan, Ceramic Wall Objects, 2022
    Kerim Demirkan
    Ceramic Wall Objects, 2022
    Eathenware wall circle with aventurin glaze
  • Emily Crookshank, On Ancient Cliffs We Stand (Rough Tor, Cornwall), 2020
    Emily Crookshank
    On Ancient Cliffs We Stand (Rough Tor, Cornwall), 2020
    Original mono-print
    35 x 35 cm
    Signed and titled on reverse
  • Emily Crookshank, IIIOV, 2018
    Emily Crookshank
    IIIOV, 2018
    Original mono-print
    44 x 38 cm
    Signed and numbered on the front
    Series: Sound Out
  • Emily Crookshank, IIIOVI, 2018
    Emily Crookshank
    IIIOVI, 2018
    Original mono-print
    44 x 38 cm
    Signed and numbered on the front
    Series: Sound Out
  • Emily Crookshank, IIIOVII, 2018
    Emily Crookshank
    IIIOVII, 2018
    Original mono-print
    44 x 38 cm
    Signed and numbered on the front
    Series: Sound Out
  • Emily Crookshank, Principles, 2018
    Emily Crookshank
    Principles, 2018
    Original etchings on Somerset paper
    76 x 106 cm
    Signed and numbered on the front
    Series: Principles
  • Emily Crookshank, Principles II, 2018
    Emily Crookshank
    Principles II, 2018
    Original etchings on Somerset paper
    76 x 106 cm
    Signed and numbered on the front
    Series: Principles
    Sold
  • Emily Crookshank, Principles III, 2018
    Emily Crookshank
    Principles III, 2018
    Original etchings on Somerset paper
    76 x 106 cm
    Signed and numbered on the front
    Series: Principles
  • Emily Crookshank, Between The Doors
    Emily Crookshank
    Between The Doors
    Original etchings on Somerset paper
    Edition of 6
    76 x 106 cm
    Signed and numbered on the front
    Series: Principles
  • Emily Crookshank, Inside Out
    Emily Crookshank
    Inside Out
    Original etchings on Somerset paper
    Edition of 6
    76 x 106 cm
    Signed and numbered on the front
    Series: Principles
  • Danielle Creenaune, A Thousand Echoes, 2022
    Danielle Creenaune
    A Thousand Echoes, 2022
    Original woodcut
    3/10
    101 x 80 cm
    (Framing available £350.00)
  • Danielle Creenaune, Alchemy, 2022
    Danielle Creenaune
    Alchemy, 2022
    Mokulito
    10
    70 x 220 cm
    Sold
  • Danielle Creenaune, Infinity, 2022
    Danielle Creenaune
    Infinity, 2022
    Lithograph
    3/6
    48 x 40 cm
    51 x 59 cm (framed)
  • Danielle Creenaune, Luminous Fall, 2022
    Danielle Creenaune
    Luminous Fall, 2022
    Original woodcut
    3/10
    101 x 80 cm
    (Framing available £350.00)
  • Danielle Creenaune, Near Ground, 2022
    Danielle Creenaune
    Near Ground, 2022
    Original Lithography (framed)
    6/12
    43 x 37 cm
    (Framing £170.00)
    Sold
  • Danielle Creenaune, Sea Walk, 2022
    Danielle Creenaune
    Sea Walk, 2022
    Woodcut and Monotype
    6/12
    45.5 x 36 cm
    (Framing £170.00)
  • Danielle Creenaune, Secrets Within, 2022
    Danielle Creenaune
    Secrets Within, 2022
    Original woodcut (framed)
    3/10
    103 x 77 cm
    (Framing available £350.00)
  • Danielle Creenaune, Silent Embrace, 2022
    Danielle Creenaune
    Silent Embrace, 2022
    Original woodcut
    3/10
    93 x 62 cm
    (Framing available £220.00)
  • Danielle Creenaune, Silent Embrace 2, 2022
    Danielle Creenaune
    Silent Embrace 2, 2022
    Original woodcut
    2/10
    93 x 62 cm
    (Framing available £220.00)
  • Danielle Creenaune, Silent Embrace 3, 2022
    Danielle Creenaune
    Silent Embrace 3, 2022
    Original woodcut
    2/10
    93 x 62 cm
    (Framing available £220.00)
  • Danielle Creenaune, Quadern de Pedra #1, 2019
    Danielle Creenaune
    Quadern de Pedra #1, 2019
    Chine collé and stone lithography on Kinugawa Ivory and Somerset Satin White 300gsm paper
    5/8
    40 x 45 cm
    Signed and numbered on the front
    Series: Quadern de Pedr
  • Danielle Creenaune, Quadern de Pedra #2, 2019
    Danielle Creenaune
    Quadern de Pedra #2, 2019
    Chine collé and stone lithography on Kinugawa Ivory and Somerset Satin White 300gsm paper
    5/12
    40 x 45 cm
    Signed and numbered on the front
    Series: Quadern de Pedr
    Sold
  • Danielle Creenaune, Quadern de Pedra #3, 2019
    Danielle Creenaune
    Quadern de Pedra #3, 2019
    Chine collé and stone lithography on Kinugawa Ivory and Somerset Satin White 300gsm paper
    6/10
    40 x 45 cm
    Signed and numbered on the front
    Series: Quadern de Pedra
  • Danielle Creenaune, Transcend #3, 2019
    Danielle Creenaune
    Transcend #3, 2019
    Sugarlift & Aquatint Etching
    Edition of 30
    38 x 47 cm (framed)
    Signed and numbered on the front
  • Danielle Creenaune, Transcend #5, 2019
    Danielle Creenaune
    Transcend #5, 2019
    Sugarlift & Aquatint Etching
    Edition of 30
    38 x 47 cm (framed)
    Signed and numbered on the front
  • Danielle Creenaune, Transcend #9, 2019
    Danielle Creenaune
    Transcend #9, 2019
    Sugarlift & Aquatint Etching
    Edition of 30
    38 x 47 cm (framed)
    Signed and numbered on the front
  • Ben Cook, A Sense Of Normal Sea (A1), 2022
    Ben Cook
    A Sense Of Normal Sea (A1), 2022
    1 Colour Screenprint on Somerset Satin 300gsm Paper
    Edition of 100
    84 x 60 cm (A1)
    Signed, dated and numbered on the front
    Series: A-Board Series
  • Ben Cook, There Will Always Be Another Wave (A1) , 2022
    Ben Cook
    There Will Always Be Another Wave (A1) , 2022
    1 Colour Screenprint on Somerset Satin 300gsm Paper
    Edition of 100
    84 x 60 cm (A1)
    Signed, dated and numbered on the front
    Series: A-Board Series
  • Ben Cook, You Should Have Been Here Yesterday (A1), 2022
    Ben Cook
    You Should Have Been Here Yesterday (A1), 2022
    1 Colour Screenprint on Somerset Satin 300gsm Paper
    Edition of 100
    84 x 60 cm (A1)
    Signed, dated and numbered on the front
    Series: A-Board Series
  • Jake clark, Trevor Clark, THE PACKAGE HOLIDAY 1968 - 1985
    Jake clark, Trevor Clark
    THE PACKAGE HOLIDAY 1968 - 1985
    Hardback, Cloth Spine
    196 x 156mm
    Hoxton Mini Press
    Signed by Jake Clark
    Series: (BOOK 14: VINTAGE BRITAIN)
  • Merlyn Chesterman, Life Rock , 2024
    Merlyn Chesterman
    Life Rock , 2024
    Original woodcut print, hand printed on Somerset Satin Paper
    Edition of 50
    58 x 58 cm
    Signed, titled on reverse
  • Merlyn Chesterman, Spring Tide, 2024
    Merlyn Chesterman
    Spring Tide, 2024
    Original woodcut print, hand printed on Somerset Satin Paper
    Edition of 50
    58 x 58 cm
    Signed, titled on reverse
  • Merlyn Chesterman, Weather Pattern, 2024
    Merlyn Chesterman
    Weather Pattern, 2024
    Original woodcut print, hand printed on Somerset Satin Paper
    Edition of 50
    58 x 58 cm
    Signed, titled on reverse
  • Merlyn Chesterman, Rocks, 2023
    Merlyn Chesterman
    Rocks, 2023
    Original woodcut print, hand printed on Somerset Satin Paper
    1/1
    52 x 51 cm (unframed)
    53 x 55 cm (framed)
    Signed, titled and numbered on the front
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