CIRCLE Autumn : Group Exhibition

21 June - 19 December 2020
Overview

A group exhibition featuring a variety of latest works by our core group and guest artists,  featuring abstract and natural landscapes, balanced with sculpture, ceramic and photography. 

CIRCLE’S distinct style is shaped by a tribe of artists and artisans who live and work in country and coastal places - in short, nature.  We are showing a selection of works by artists who live surrounded by an expanse of land and sea. As you will see, so many of our artists daily lives are inseparable from, and necessary to, their artistic expression. 

 

From a city dwellers perspective landscape inspired art practice is often dismissed as romantic and unquestioning. However, at CIRCLE we believe art born from a true dialogue with nature is life affirming, ever present and continually evolving.

 

Our artists come from Cornwall, Wales, France, Holland, Serbia, Egypt, and Australia. They are united by a global truth - the truth of immersion in, and reverence for, their natural landscape. Our artists are walkers, surfers, divers, botanists, geologists, bird and shark watchers too. Ecological sustainability and green ethics are a part of daily life. 

 

Sculptor Simon Gaiger lives in rural Wales and makes free forms and furniture from fallen trees and abandoned metal, keeping the evidence of past use. John O Carroll’s wide angle gestural paintings arise from the years he spent in the big landscapes of Texas and the Western Sahara. Susan Bleakly’s careful abstract paintings flicker with the Atlantic light which she sees from her window. Australian Danielle Creenaune began drawing plants on Bush walks with her family, and now, living in Spain she continues this practice in the hills of Catalonia. Photographer Joni Stenbach roams the worlds beaches, particularly Hawaii, to document her tribe of surfers, and Serbian Jelena Sredanovic uses Xylography to observe the surface of the globe - her vast blue woodcuts pay homage to the beauty, and fragility  of our planet, and the list goes on.

 

Additional information: All works on paper are sold unframed unless stated otherwise. If you require framing or additional information please send us an artwork enquiry using the buttons provided or email lucy@circlecontemporary.co.uk

 

Unframed artworks are sent flat packed or in a tube, while oversized artworks are sent using a trusted art courier service (overseas can be arranged). 

 

 

Works
  • John O'Carroll, Indigo Moon , 2020
    John O'Carroll, Indigo Moon , 2020
  • John O'Carroll, Breakwater IV, 2019
    John O'Carroll, Breakwater IV, 2019
  • Simon Gaiger Green Fuse, 2017 Welded and painted steel 38 x 47 x 16 cm
    Simon Gaiger
    Green Fuse, 2017
    Welded and painted steel
    38 x 47 x 16 cm
  • Simon Gaiger Redwood Seat, 2019 Charred Redwood 130 X 60 X 47 cm Embossed with the artist stamp
    Simon Gaiger
    Redwood Seat, 2019
    Charred Redwood
    130 X 60 X 47 cm
    Embossed with the artist stamp
  • Simon Gaiger Wild Goose, 2017 Cedar and steel (with lime wash) 190 x 75 x 59 cm Embossed with the artist stamp
    Simon Gaiger
    Wild Goose, 2017
    Cedar and steel (with lime wash)
    190 x 75 x 59 cm
    Embossed with the artist stamp
  • Joni Sternbach #6 The Future, Santa Barbara, CA, 2015 Archival pigment print (from original tintype) Edition of 8 50.8 x 61 cm Signed and dated on reverse Series: Surfland
    Joni Sternbach
    #6 The Future, Santa Barbara, CA, 2015
    Archival pigment print (from original tintype)
    Edition of 8
    50.8 x 61 cm
    Signed and dated on reverse
    Series: Surfland
  • Joni Sternbach #2 Donald Takayama, 2010 Archival pigment print Edition of 15 20.3 x 25.4 cm 30 x 50 cm (framed) Signed and dated on reverse Series: Surfland
    Joni Sternbach
    #2 Donald Takayama, 2010
    Archival pigment print
    Edition of 15
    20.3 x 25.4 cm
    30 x 50 cm (framed)
    Signed and dated on reverse
    Series: Surfland
  • Amy Wright, The Divide To Neverland, 2020
    Amy Wright, The Divide To Neverland, 2020
  • Pine Feroda Catching Light, 2020 Woodcut Edition of 60 86 x 120 cm Signed, titled and numbered in pencil on the front (white border)
    Pine Feroda
    Catching Light, 2020
    Woodcut
    Edition of 60
    86 x 120 cm
    Signed, titled and numbered in pencil on the front (white border)
  • Emily Crookshank Principles II, 2018 Original etchings on Somerset paper 76 x 106 cm Signed and numbered on the front Series: Principles
    Emily Crookshank
    Principles II, 2018
    Original etchings on Somerset paper
    76 x 106 cm
    Signed and numbered on the front
    Series: Principles
  • Emily Crookshank Principles, 2018 Original etchings on Somerset paper 76 x 106 cm Signed and numbered on the front Series: Principles
    Emily Crookshank
    Principles, 2018
    Original etchings on Somerset paper
    76 x 106 cm
    Signed and numbered on the front
    Series: Principles
  • Emily Crookshank Principles III, 2018 Original etchings on Somerset paper 76 x 106 cm Signed and numbered on the front Series: Principles
    Emily Crookshank
    Principles III, 2018
    Original etchings on Somerset paper
    76 x 106 cm
    Signed and numbered on the front
    Series: Principles
  • Susan Bleakley How Stones Speak Oil on linen canvas 140 x 140 cm Signed and dated on reverse
    Susan Bleakley
    How Stones Speak
    Oil on linen canvas
    140 x 140 cm
    Signed and dated on reverse
  • Susan Bleakley, White Tide, 2019
    Susan Bleakley, White Tide, 2019
  • Spencer Shakespeare, Story of a boy, 2018
    Spencer Shakespeare, Story of a boy, 2018
  • Jelena Sredanović Between Water & Clouds, 2015 Woodcut Edition of 20 80 x 110 cm Signed, numbered and titled on the front Series: Clouds & Reflections
    Jelena Sredanović
    Between Water & Clouds, 2015
    Woodcut
    Edition of 20
    80 x 110 cm
    Signed, numbered and titled on the front
    Series: Clouds & Reflections
  • Jelena Sredanović Earth From Above, 2014 Woodcut Edition of 20 80 x 110 cm Signed, numbered and titled on the front Series: Clouds & Reflections
    Jelena Sredanović
    Earth From Above, 2014
    Woodcut
    Edition of 20
    80 x 110 cm
    Signed, numbered and titled on the front
    Series: Clouds & Reflections
  • Joni Sternbach, #1 Lightning Bolts & Brewer, Hossegor, France, 2015
    Joni Sternbach, #1 Lightning Bolts & Brewer, Hossegor, France, 2015
  • Joni Sternbach #1 Kazzie, 2011 Archival pigment print (from original tintype) Edition of 15 20.3 x 25.4 cm Signed and dated on reverse Series: Surfland
    Joni Sternbach
    #1 Kazzie, 2011
    Archival pigment print (from original tintype)
    Edition of 15
    20.3 x 25.4 cm
    Signed and dated on reverse
    Series: Surfland
  • Caroline Marrack, 2 hay gathering, after Monet #1, 2020
    Caroline Marrack, 2 hay gathering, after Monet #1, 2020
  • Caroline Marrack, 2 hay gathering, after Monet #2, 2020
    Caroline Marrack, 2 hay gathering, after Monet #2, 2020
  • Susan Bleakley, Hidden Memories Within Lace, 2020
    Susan Bleakley, Hidden Memories Within Lace, 2020
  • Susan Bleakley, Deep Thinking, 2019
    Susan Bleakley, Deep Thinking, 2019
  • Jenny Beavan, Cores, 2020
    Jenny Beavan, Cores, 2020
  • Simon Gaiger Pleacher Bowl, 2018 Branded Sycamore 90 x 80 x 27 cm
    Simon Gaiger
    Pleacher Bowl, 2018
    Branded Sycamore
    90 x 80 x 27 cm
  • Peter Hayes, Ceramic Red Bottle Form
    Peter Hayes, Ceramic Red Bottle Form
  • Sax Impey, 10º53’1S, 136º12’2E
    Sax Impey, 10º53’1S, 136º12’2E
  • Ian Phillips , Slow Surf
    Ian Phillips , Slow Surf
  • Ian Phillips Shining Sea Woodcut Edition of 12 97 x 72 cm including white border Signed, titled and dated on the front
    Ian Phillips
    Shining Sea
    Woodcut
    Edition of 12
    97 x 72 cm including white border
    Signed, titled and dated on the front
  • Simon Gaiger, Flood Gate, 2017
    Simon Gaiger, Flood Gate, 2017
  • Deborah Mitchell, Small Pouring Jug
    Deborah Mitchell, Small Pouring Jug
  • Deborah Mitchell, Small Pouring Jug
    Deborah Mitchell, Small Pouring Jug